Jude takes a trip

 

It was a hot afternoon, last day of June and the sun was a daemon

(Bobby Goldsboro 1975 in case you are struggling) Dreadful song.

It was a hot afternoon, last day of June 1976. I remember it well. The long hot summer. The local reservoir was so low that it began to reveal the mill, houses and cobblestones of the village that was flooded to create it. On that last day of the month a rain cloud allowed a bit of respite, in the form of a heavy shower.

Jude (Judith)  and I went to different schools. She was in the year above me. The gang she hung around with were so much more sophisticated than my mates. We were just silły little teenage boys really; hung up on the Goons, Monty Python, chart music and swailing.

Youth, so wasted on the Young.

What was she like? Well, she had a big personality, big sunny smile and a big boyfriend. Double denim (jeans and denim jacket) just faded perfectly, in all the right places, white t shirt or cheese cloth, leather sandals. Tanned feet and toes. Bracelets and patchouli oi. Long blonde hair and dark sapphire eyes. She was, as my mate Stash recalls a

‘Bonny looking Lass’

We met through a mutual love of art. The local college in a visionary move opened its doors to children of local schools and ran Saturday morning art classes. We used to meet up at the break and discuss music, then we would hang around the town’s alternative Record shop, deliciously dark and subversive place which went by the wonderful name of Black Sedan. And maybe buy a single. Or something from the cheapies box.

Anyway
One Saturday, she announced to my surprise that afternoon, she was going to drop a tab of acid and would I like to come along and see what happens? And ‘no’ her boyfriend wasn’t going to be there unfortunately.

Shame.

Still, she was going to meet up with some friends, have a drink first for ‘Dutch courage ‘ and then go to the primary school down the road where she knew a place you could get through the fence and into the playground. I think she thought, with its painted concrete pipes, swings and roundabouts  it would be a good place to trip.

By the time I got there, (l didn’t partake, incidentally) It was me, my mate Stash and Jude. nothing seemed to be happening much. That was, until the spiders arrived. Big ones too. Judging by Judes increasingly hysterical descriptions of them. About four foot long and crawling  down the rainbow painted playground concrete pipe! To where Stash me and Jude were sitting keeping dry out of the rain. She was having a very bad trip, with vivid and disturbing hallucinations.

We just stayed with her into the evening, talking to her and trying to keep her calm until she came down.

I mention this because just recently (as a long term user of Leva Dopa the main anti Parkinsons drug, whose side effects include hallucinations ) I’ve been getting them too and and it is very wierd. I als often get the the feeling that somebody is always behind my shoulder. Also, any small bits of detritus, crumbs etc will often appear to my cauliflower brain as scuttling little insects.

You just have to rationalise it and tell yourself that they are not really there. It is a bloody good job I’m not scared of spiders I have to say. Mind you if they were four foot long coming down a concrete pipe, I might be forced to reassess my viewpoint.

© Andy Daly 2018

 

The Carbon Fibre’s in the Kitty Litter!

I know this is a bit of a specialist subject, but  lately I’ve become fascinated more than somewhat by the work of three pairs of British motorcycle  racing commentators, namely Julian Ryder and Toby Moody who cover Moto GP, Moto 2, and the 125 class, for British Eurosport. Jack Burnicle and former rider James Whitham who commentate on World and British Superbikes, also for British Eurosport; and Nigel Pearson with former England rider and ex-World Longtrack champion Kelvin Tatum, who cover the Speedway for Sky Sports.

 

 

 

(Moody, Ryder, Burnicle, Whitham, Pearson and Tatum)

So, what is it that makes them all so compelling? What common links exist between these six disparate characters, other than their habit of hanging around in twos at race venues? Obviously, as befitting of people in their position they are almost all completely immersed in the world of motorcycle competition – and in  particular their own areas of specialism in the sport, either as a former rider (Whitham, Tatum) or as serious enthusiast (possessor of  frighteningly comprehensive encyclopaedic knowledge, Ryder; highly articulate, often comically tongue-tied Moody, informed ‘giddy spectator’ Burnicle and Pearson, genial apologist for Speedway, everyone’s ‘Love it or loathe it’ sport)

I used to think commentators were superfluous – I think some still are. Dave Lanning, the voice of Speedway in the ’70s changed that. A good commentator, I feel should not be there simply to give you information, or explain; for example in the way  you might have to explain to those who have never attended or watched such an event before what is going on: especially when it means everyone who has is forced to hear it again and again. (Hope you’re reading this Tony Millard)  A good commentator should be in that place where audience and sportsperson meet; they should engage with the experience that their audience is having, develop and deepen it. This is what Lanning did. He knew the riders, the teams, the tracks, a ‘sufficient’ amount about the machinery to explain the reasons why riders did  the things they did and why events on the track took the turns they did. (No pun – honestly!- intended) with authority and humour. Watching speedway today, I sometimes find myself slipping into ‘Lanning-Speak’ as, distracted, I mentally commentate. (“Oh I say! What a fine piece of speedway!” “It doesn’t get much tighter than that, you could throw a handkerchief over all four of them” “He’s going out to the fence, he’s taking the high, wide and handsome route”)  

Do any of  my crop of six come close to the Big Man? Well let’s say they are at their best, when, like sharps of flint they crackle and spark off each  other with a vitality that the common herd can only watch and envy. Okay, maybe that’s going a bit far in some cases, but tune in to British Eurosport, or Sky Sports, catch this lot on form and you’ll see what I mean.

So, to business. My key areas of interest comprise:

  • PLOC
  • Background knowledge/Response to ‘On-Track’ events/Observational Skills
  • Favourite sayings and creativity in use of euphemisms for the word ‘Crash’

 My findings are attached below:

 

(On board chasing Moto GP traffic. Let’s face it, you’d have to be bloody nuts wouldn’t you?)

(Ben Spies: making some noise in his first season of Moto GP – I knew he would)

PLOC: (or to give its full title Point of Loss of Control) – usually with reference to voice, but may apply to bodily functions as well, this denotes a point in a race: a frantic start, a particular passing move, fierce tussle, spill, collision and so on which is momentous enough to cause our commentator to lose all self-control in relation to both his immediate environment (the commentary box, his partner and any guests) as well as his listeners/viewers: affects  the volume, tone, timbre of voice and its level of hysteria as evidenced in ‘breaking’, shouting, screaming and in one or two cases singing.

  • A particular feature of Moody’s work, where PLOC is often found to have been reached, before the end of the first sentence. For example at the start of practically every Moto GP. Toby’s voice shifts semi-tones, up and down mirroring the riders’ changes of gear. This is made even more entertaining if his commentary position leaves him unsighted and relying only on the local TV director’s footage. Toby gets more and more tongue-tied and frustrated as he is unable to see who is who, but continues regardless: …. and look! Casey Stoner’s made a BRIIIILLIANT start on the …(up semi-tone) oh! but he’s being OVERTAKEN by  who……? Now THHHHAAAAATTTS (up semi-tone) Capirosi. But No! It’s… ( down semi-tone ) NICKY HAYDEN … Loris Capirosi … (down semi-tone) as they go into the right hander (up semi-tone) But where’s Stoner? WE’VE LOST CASEY STONER! (up a whole tone) etc…

 

  • Ryder avoids the hysterics. He is the ‘Steady Hand’ to Moody’s emotional outbursts.  His main problems when excited are forgetting to breathe and using unfeasibly long sentences.

 

  • Nigel Pearson and KelvinTatum feature quite strongly here I am afraid. For example, Pearson continuing to shout in a most disagreeable manner, despite the finish of the particular race he is supposed to be commentating on: “WELL, HAVE WE GOT A MEETING NOW, OR WHAT, KELVIN TATUM?” I just wish he wouldn’t expend so much of his (apparently limitless) energy trying to convince us we’re watching great racing. I think we’ll be the judge of that, Ta.  If you want to get a better handle on what he sounds like, visit Pearson’s web homepage. It’s written exactly as he would speak/shout it! Priceless.

 

  • Tatum, too, is capable of allowing himself to rapidly spiral out of control, although he seems to take many of his cues from Pearson;  indeed, at times they will chorus in unison; for example, over a skilful piece ‘fence-scraping’  “Ohhhhhh! HOW did he do that?!” Nevertheless, he falls short of that daemonic, possessed quality that transforms Pearson from affable host to deranged nutcase: “IF YOU’RE SITTING AT HOME WITH PIZZA TAKEAWAY AND THE FOOD HAS GONE ALL OVER THE FLOOR DUE TO THE EXCITEMENT OF THAT RACE, PLEASE FORGIVE US!” Nonetheless, I do think it terribly endearing, however that Pearson and Tatum continue to model themselves on 70’s TV regulars, Fozzie Bear and Kermit. Next time you see the dynamic Sky Sports duo doing a discussion to camera, wearing their silly big headphones (What are they listening to: Deep Purple?) and nodding sagely in agreement at appropriate intervals, think Muppets.

 

 

  • Of the six, Burnicle and Whitham are probably the most restrained. In Whitham’s case, a riding career which saw him reach the heights of success, tempered by a catalogue of injuries that would make an orthopedic surgeon wince mean he has the ability to commentate with authority and experience. Add a touch of dry, gallows/paddock humour and he’s your man. Having been there, seen it, done it, he doesn’t tend to shout about it much. He finds more satisfaction teasing Burnicle, the enthusiast who comes across more like Whitham’s Dad. 

 

(The irrepressible Rossi. Doesn’t like hospitals! )

 

Background knowledge/Response to ‘On-Track’ events/Observational Skills

  •  Background knowledge I am happy to report is very good in all cases and in some excellent.

 

  • Jack Burnicle, for instance, can always be relied upon to give you that extra insight:  (Re: Colin Edwards, World Superbikes and his choice of tyres) “Colin  had a hard on in practice earlier, and I bet he wished he had a hard on now” and “Simon only weighs 63kg and most of that’s his ears!”

 (Casey Stoner)

  • Whitham: (My job) “is to get across the subtlties of what is happening, what strategies they might be evolving, what’s going on with the tyres and so on” In response to track action, the assured Whitham sometimes employs an elegant spoiling tactic. When something he has said is about to be contradicted by actual  events as they happen (to be fair, not very often):  He diverts attention away to another area of the race course ” Look, Jack  Now ah knew that were gunna ‘appen. I knew sooner or later someone were gunna open a Heineken umbrella on that bit o’ banking …. I mean … ” He wheelies over the line taking second place on the podium in this category.

 

  • Winning hands down, however is Ryder. He is eagle-eyed and has (seemingly at his fingertips) a mass of information about riders, and their pedigree, bikes, engines, teams, gossip, rumour, lap times, records and is able to – and this is where he scores trillions of points – put all this in context for the casual viewer. (Much to Moody’s frustration at times, I suspect) For example, as a result of watching coverage of free practice at the new Spanish Aragonese track, I now have a much more complete understanding of ‘wet’ tyre technology. It might not get me very far with the man on the Clapham omnibus, but if I ever find myself in the paddock on a wet raceday, I’ll be able to say: “Yeah! get the wets on, they’ll grip without compromising speed too much, Why? because … er … the heat … um … err … and the little bits … they squash … sort of … and …  Hang on a sec. I’ll just ask Jules”

 

(Going down the road)

  • In responding to on-track action, bear in mind that our six will know many of the riders personally. A close shave (or God forbid worse) for one or a number of  competitors elicit a uniform response, though these vary in their intensity and level of empathy depending on the circumstances. So we get:

“OOHHHHHHHHHHH!” (Ryder and Moody)

 “OOOOOOOOOOOOHHHHHHHHHHH!” (Pearson and Tatum)

 “OH NO! OOOOOOOHHH  AHHHHHHH  OOOOOOOOOOOH….!”  Poor Burnicle seems to feel every bump and scrape himself as riders come off and hit the hard asphalt or gravel traps: Then “Oh Leon, what have you done? You silly boy!   

Whitham is more matter of fact “I see what’s ‘appened,  he’s front-ended on braking, going int’ corner, so he’s hit the deck fast.  Aye, he’s moving across that tarmac, mind you he’s missed t’ kerb. Nah, he’ll be all reyt”

Tatum puts each spill under his ‘Pain Microscope’

“If we take a look at that again Nige you’ll see … Ohhhhh! Look at him getting thrown around like a rag-doll … and thump on his head! … And now the bike runs over him! That’s got to hurt. Let’s have another look …..”

 Favourite Sayings and creativity in use of euphemisms for the word ‘Crash’

  • Pearson insists on wishing stricken riders “All the very best” – Is it just me ? Isn’t that  the sort of thing you write on a Christmas Card?
  • Pearson: “Chris Louis in the pits there, and apologies if you heard one or two words which you may have found offensive”
  • Tatum: (Every week) “Y’know Nige, very often in the re-run it is not the rider who was leading the race when it was stopped who wins”
  • Tatum: “Well, Nige they’ve just not come to the races”
  • Ryder: “Valentino’s shoulder”
  • Whitham: “I knew that were gunna ‘appen.”

 Crash Pronunciation:/kraʃ/: collide violently with an obstacle or another vehicle. Not to be confused with a ‘Moment’ (When a rider almost comes to grief) Crashes are otherwise known as an ‘An Off’ ‘, ‘A Front/Back End’, Dropping It’, ‘High Side’ (When the machine bucks the rider off after going into a rear wheel slide),’Going Down The Road’  ‘Throwing the baby out with the bathwater’

but by far my favourite is from Toby Moody ‘The carbon fibre ‘s in the kitty litter!’

INTERACTIVE BIT!

Perhaps you’d like to add your own. (Incidentally, there is one ‘bogus’ in the above list. Can you spot it?)

So in conclusion, between them, in spite (or perhaps because of) their foibles, idiosyncracies, things they say that drive me nuts, I enjoy their company. After all, if  it gets too much, I just turn the sound down.

Closing note: The Spanish Aragon GP: King Juan Carlos presents winner Stoner with the trophy. Event sponsor’s logo given pride of place!

 

 

Links:

Moto GP

British Superbikes

World Superbikes

Elite League Speedway

Let me take you back to the dirtrack

James Whitham

KelvinTatum

Julian Ryder Twitter MotoGPJules

Toby Moody Twitter tobymoody

Jack Burnicle

Nigel Pearson ‘Take Away’ Quote: Jeff Scott ‘Showered in Shale’ Methanol Press 2006

This post is affectionately dedicated to those brave men who risk life and limb week after week at racetracks around the world for our enjoyment, namely Julian Ryder, Toby Moody, Jack Burnicle, James Whitham, Nigel Pearson and Kelvin Tatum

 © Andy Daly  2010